Showing posts with label The Seekers. Show all posts
Showing posts with label The Seekers. Show all posts

Monday, October 25, 2010

Someday, One Day

The song's theme is optimism. The very title speaks to the idea that, whatever the setbacks, one's goal can be achieved with persistence.

One notable feature of the song is its lack of consistent rhyme. The chorus is a/a/b/a, with the first and last lines ending in "day." The first verse's lines end with the words "mirror/you/of/love," for a rhyme scheme of a/b/c/c. The second verse: "dreamer/thinkin'/doin'/say," or a/b/c/d (which is to say, no rhymed lines). And then the third verse is "discouraged/slowly/doin'/movin'," so the slant rhyme of the last two lines brings us back to a/b/c/c.

Perhaps this lack of rhyme reflects the state of mind of the listener-- not so much the person speaking, but the one being spoken to. The listener is someone who is "down" and needs to be "bucked up." He (or she) is not feeling like there is much rhyme is his life.

The lyrics themselves are very straightforward and comprise a "pep talk." The way The Seekers perform it, it could be addressed to anyone needing encouragement.

While I am a bit hesitant to assign meanings to Simon's songs based on his circumstances at the time of their writing, I must wonder if in this case such an ideas isn't warranted.

Simon and Garfunkel, no longer Tom and Jerry, had regrouped as a folk duo and put out "Wednesday Morning." It did not do well. So Simon might have been addressing the song to Garfunkel, telling him that with some persistence, they might still find success.

Another, even bolder, interpretation might be that Simon addressed this song to himself. In England at the time, he recorded an album of solo acoustic material (his "Songbook") and was writing songs with Woodley, but neither was the success he had hoped for with Garfunkel.

One can imagine him "look(ing) in the mirror," trying to convince himself that in a "time not so far away," that could still happen.

What he did not know is that, back in New York, a producer named Tom Wilson was creating an electric "remix" of "Sound of Silence"... which would go to #1 and start Simon and Garfunkel on their way.

NOTE: On Paul Simon's official website's lyric page, there is a song listed as "Some Day." It is nearly identical, with some of the verses being in a different order, and lacking a chorus. I can't imagine that it was anything other than an early draft of this hit.

IMPACT:
Another collaboration with Woodley, this was The Seekers' follow-up to their #1 hit "I'll Never Find Another You." (Thanks to a reader for correcting me; this was not The Seekers' first hit, as I had said.)

As The Seekers were the first act with international impact from Australia, it is fair to say that Simon, aside from his part in South Africa's musical history, is also part of that island continent's cultural story.

Later acts from Australia ranged from The Little River Band to Men At Work, and perhaps most notably another harmony act like The Seekers-- The Bee Gees. Well, not much like The Seekers.


Next song: My Little Town

Wednesday, October 20, 2010

I Wish You Could Be Here

This song was co-written with Bruce Woodley of The Seekers, and performed by that Australian group. It was written in the short hiatus between the letdown of the first proper S&G album, "Wednesday Morning" and their follow-up, "Silence." (Woodley also co-wrote "Cloudy.")

While it does not seem to have been recorded by S&G, it is included in the songbook "Songs by Paul Simon" (Charing Cross Music, 1967), which largely contains S&G material.

Thematically, the song prefigures "Kathy's Song." The opening imagery, however, is of snow, not rain, as in "I Am a Rock": "Lookin' from my window at the freshly fallen snow/ That sparkles as it tumbles upon the street below."

The song does not discuss the internal angst of the speaker, as "Kathy's Song" does. It simply speaks of the speaker's longing for his absent love, describes the ambiance of the room, as in "Dangling Conversation," and discusses what the speaker does with his "lot of empty time to kill"-- There is a fire in the fireplace; "the room is warm and sleepy." He listens to "some records," and tries to "read the paper."

But, while he doesn't use these words, his mind is distracted and diffused. The words in the paper "aren't very clear," and his "thoughts return to you/ And I know there's somethin' missin', I wish you could be here."

While he aches for her return, he does not expect it. "I keep list'nin' for your footsteps or your key turned in the door/ I sure could use your company, but we've been through that before."

This last line is the only one that provides any context for the relationship. This is not just "I miss you," but "I miss you since we broke up."

Somewhat like "Somewhere They Can't Find Me" is a rock remake of "Wednesday Morning, 3 A.M." "I Wish You Could Be Here" is a pop remake of "Kathy's Song." It is roughly the same song, with simpler words and concepts substituted for the others' collegiate and poetic sensibilities.

Also, in "Kathy's Song," the couple is geographically apart but still together. More importantly, here the singer is upset but still "has it together," while in "Kathy's Song" he has a major crisis: "I have come to doubt all that I once held as true."

What makes this song interesting is that it shows that Simon is capable of presenting the same material in two different ways-- as a simple folk-pop ditty, or as a highly philosophical and emotional poem.


Next Song: "Someday, One Day."