Showing posts with label driving. Show all posts
Showing posts with label driving. Show all posts

Monday, May 5, 2014

Back Seat Driver

[Readers-- Two milestones have been reached, thanks to you! April, 2014 marked the first month in which this blog received 5,000 pageviews in one month. And it was also the month which saw the blog's 100,000th pageview since its launch in May, 2006. Thanks for all your support, comments, and readership over the years.]

"Backseat driving" is generally done by someone in the backseat, and it involves unasked-for suggestions made (often in a constant stream) by the passenger to the driver. In this case, we assume that she is in the front passenger seat, but the terminology remains.

This is a comedy number along the lines of "Yakety-Yak," about the frustrations of adolescence, but closer to the "Wake Up, Little Susie" format in that it is about getting into trouble while on a date, and in that the conversation is between a couple.

The song begins with a boyfriend telling his girlfriend that, while they are going for a spin, he wants "No backseat drivin', y'hear?" Even at the beginning of the song, we hear the anger in the young man's voice: "Talk, talk, talk/ I can't take no more/ If you don't like my driving/ Just open the door/ Get out... Start walking."

The song's structure varies between dialogue-- both cajoling ("Don't you know how to relax?") and yelled ("Why don't you stop buggin' me?")-- and rhymed lines.

Then this slice of sexism; "When you drive with a woman/ You got to take it slow." Like any such remark, it is unnecessary. Perhaps Simon meant to show that the driver is not entirely the hen-pecked victim here.

Out of frustration, our driver says to his date: "You take the wheel/ I'll give all the orders/ And see how you feel/ Turn left, turn right/ Watch out!/ Didn't you see that red light?!"

His psychological experiment worked out too well. Either she is a lousy driver, or he succeeded in distracting her, or the other car was to blame. It could be all three. In any case, we see that some accident or moving violation has happened, because the last thing we hear the boyfriend say is: "See what you've done/ If you're such a good talker/ Talk us out of this one!"

You almost feel sorry for the guy-- no one likes to be corrected while he or she is doing something, particularly as delicate as piloting a two-ton, gas-powered machine that can punch a hole in a brick wall. But then he has to go all Archie Bunker on us with that sexist crack.

Maybe they just deserve each other.

Next Song: Beach Blanket Baby

Monday, August 23, 2010

Baby Driver

This song reads like a playground hand-jive, but sounds like a Beach Boys track. There is a great deal of childhood imagery... and then a whole lot of car-racing imagery. The title itself is, in fact, the two words "baby" and "driver."

The jump-rope sing-song element is the "my daddy"/"my mama" part. The information about the parents is adult, however, and at least somewhat autobiographical. Simon's father was a very successful session bass-player, for instance. In one interview, Simon recalls a song coming on the radio and his father off-handedly remarking, "I think I played on that." (I admit I have no idea if any of the military information has any basis in fact.)

Another childhood element is the phrase "once upon," as "once upon a time." Yet another is the invitation "come to my room and play."

(The speaker does mention the circumstances of his birth, but that can hardly be counted as childhood imagery. Many songs have lyrics like "born in the USA" or "born to be wild.")

As for racing imagery, there is the chorus, which mentions "wheels," the "road," an "engine," and the line "what's my number," as all racecars have numbers.

Whether childhood imagery or car imagery, by the end of the song, they both seem to be metaphors for sex. "I wonder how your engine feels" refers to the same thing as the line in Springsteen's "Born to Run": "strap your hands 'cross my engines."

And then there is the blatant line: "Yes we can play/ I'm not talkin' 'bout your pigtails/ I was talkin' 'bout your sex appeal."

My theory? It's about a guy trying to lose his virginity. Put together, the song seems to be one giant come-on. He is young, still a "baby," with no accomplishments to his name, so he brags about his parents as a way of strutting.

Further, he "wonders how [the girl's] engine feels", and wants to "play," but has as much intention of staying around as Dion's Wanderer: "I hit the road and I'm gone... scoot down the road..." (The Wanderer explains, "When I find myself falling for some girl/ I hop right into my car and I drive around the world.")

The line "What's my number?" could then mean "You don't even know my phone number or address, do you? I'm gone before you can find out."

The virginity theory also explains the line about carrying a "gun," but not yet getting a chance to "serve"-- i.e. use his "gun" to serve anyone else.

He is a "baby driver," with temporary tags and a learner's permit, but still no license. This would explain his ridiculous attempts at seduction... and his likelihood of crashing instead of making it all the way around the track.


Next Song: The Only Living Boy in New York